History

1. Statement of Intent
2. Street Performance

3. General Considerations
4. Policy Standards
4.1. Enforcemen
t
4.2. The Permit
4.3. Hours
4.4. Length of Performance
4.5. Locations
4.6. Distance Requirements
4.7. Animals
4.8. Dangerous Objects
4.9. Equipment Mobility
4.10. Amplification Sources
4.11. Sound Levels
4.11.4 The use of a Monitor
4.11.8 Sound Meter
4.12. Tapes and CDs
4.13. Special Events

4.9. Equipment Mobility

Policy

  • in emergency situations, Performers need to be able to remove equipment quickly

  • access and safety issues should not be used to disguise content based restrictions

4.9.1. Concern has been expressed over the blocking of emergency vehicles and paramedic crews.

4.9.2. It should be noted that Performers are skilled at dealing with crowds and can be of assistance in emergencies.

4.9.3. There is concern that Performers' equipment, not readily removable, could impede emergency access. However, most Performers are experts at moving their equipment in a hurry because of the need to rotate to new locations. Others could consolidate or place equipment on wheels for rapid removal.

4.9.4. Quantity of equipment does not appear to be an issue as much as the organization of the equipment and Performer. Currently, if a Performer has the need to remove equipment in a hurry there are always many volunteers who offer assistance from the audience.

4.9.5. There is concern that an effort to impose content based restrictions could be disguised as a safety issue without consideration of other, friendlier solutions. Street Performers hope this is not the case.

 

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© Ned Landin 1998 all rights reserved